Two Regimes without Civic Courage: Solzhenitsyn’s the Red Wheel

Read Scott Yenor’s very astute review essay on the various volumes of The Red Wheel by the political scientist Scott Yenor in Perspectives on Political Science (vol. 50 [2021], no. 2), concentrating on political and historical themes within the novel.

Modern ideologies spawn fanatics like Lenin, Stalin, and the Bolsheviks—who do what it takes to survive and maintain (as Solzhenitsyn’s Gulag Archipelago attests). These four nodes lay bare the other side of the coin, why those opposed to such fanatics could not rally. Ideological ruthlessness cannot be opposed with mere assertions of comity and reasoned discourse or appeals to free speech or even appeals to constitutionalism. Fanatics go from the “dry terror” of slander, de-legitimizing, un-personing, and arousing the worst suspicions about their fellow citizens to the “bloody terror,” to use the French historian Auguste Cochin’s formulation. As Stolypin knew, fire must be stopped with something hot, if not fire. Evil must be resisted by force and not simply with good intentions. In these nodes, Solzhenitsyn depicts the paralyzing loss of the will to adapt and to survive in the tsar’s regime and the equally troubling inability of false liberals to conserve what is good in old orders in the face of ferocious ideological action. The Red Wheel shows not only the crisis of the tsarist regime, but also the crisis of a civilization losing its “civil courage” (to take from Solzhenitsyn’s Harvard Address). The Red Wheel depicts that crisis, which is ours too, in all its depth and complexity. Reading such tomes may be as indispensable as ever.
— Scott Yenor

New Exhibit Marks 50th anniversary of Solzhenitsyn's Nobel Prize

Moscow’s House of Russian Culture Abroad has opened a new exhibit, “Word of Truth”, marking the 50th anniversary (1970-2020) of Solzhenitsyn being awarded the Nobel Prize in Literature. The opening of the exhibit had been delayed on account of the coronavirus pandemic. Here is a news item from Russian TV about the opening.

Have We Forgotten Solzhenitsyn?

Kirck Center | University Bookman.png

Jeremy Kee has a thoughtful review of Solzhenitsyn and American Culture in the current issue of The University Bookman.

This view of Solzhenitsyn as existing on the rarified plain of the prophet is not an isolated one. In fact, the comparison is drawn myriad times throughout Solzhenitsyn and American Culture. It is not a claim to bandy about lightly, but as several of the contributors go to great pains to point out, it is a claim that suffers no abuse of overuse. In short, to read Solzhenitsyn through a political lens is appropriate, but to do so without giving at least equal consideration to the spiritual dimensions and implications of his work is to read Romeo and Juliet as nothing more than a story of two annoying children. Solzhenitsyn was first and foremost a spiritual writer. As a Russian, he was honor-bound to be no less.

Soljénitsyne et la France: Une œuvre et un message toujours vivants

Soljenitsyne et la France cover.png

Soljénitsyne et la France: Une œuvre et un message toujours vivants is out today in paperback and Kindle.

This volume compiles the essays and presentations from the December 2018 conference and exhibit of Solzhenitsyn’s manuscripts entitled, “ALEXANDRE SOLJENITSYNE: UN ÉCRIVAIN EN LUTTE AVEC SON SIÈCLE”, that took place at the Institut de France and the Sorbonne. It includes contributions from Natalia Solzhenitsyn, Georges Nivat, Pierre Manent, Lyudmila Saraskina, and Daniel Mahoney, among others. 

More info at the publisher’s website here.